Videos

Introcollage

Papers

Artificial Worlds and the Simulation of Music Evolution. Marcelo Gimenes

Computer Simulation of Musical Evolution: A Lesson from Whales. Steven Jan [paper]

Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Andrew Lambert, Tillman Weyde and Newton Armstrong

The Infinite Jazz Ballad. Tom Parkinson

20150627_155825[1]


Poster presentations

Music Learning and Production with Long Short-Term Memory Networks. Florian Colombo, Alex Seeholzer and Wulfram Gerstner

10726697_10153093957535674_1568580474_n (1)

‘Multidimensional Interstice’ as Compositional ‘Form’: Exploring the Interactive Compositional Procedure in Interstice. Alannah Halay

11650725_10153093957550674_1142450345_n

Color Tab An Educational Mobile Music Application. Michelle Kirk

11650819_10153093957600674_228123449_n

Batera: Drummer Agent with Style Learning and Interpolation. Rafael Valle and Adrian Freed

11653414_10153093957510674_800676906_n

PopSketcher: a Framework for Generating Sketches of Pop Songs. Valerio Velardo and Mauro Vallati

11668102_10153093957585674_1829723893_n

collage2


Workshops

A Novel Music Constraint Programming System: the PWGL Libraries Cluster Engine and Cluster Rules. Torsten Anders and Örjan Sandred

Virtual Score Construction with the Abjad API for Formalized Score Control. Trevor Bača, Josiah Oberholtzer and Jeffrey Treviño

An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977). Michael Clarke, Frédéric Dufeu and Peter Manning

1